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Metamorphoses
Ovid

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Bk VI:70-102 Pallas weaves her web.

Pallas Athene depicts the hill of Mars, and the court of the Aeropagus, in Cecrops's Athens, and the old dispute between Neptune and herself, as to who had the right to the city and its name. There the twelve gods sit in great majesty, on their high thrones, with Jupiter in the middle. She weaves the gods with their familiar attributes. The image of Jupiter is a royal one. There she portrays the Ocean god, standing and striking the rough stone, with his long trident, and seawater flowing from the centre of the shattered rock, a token of his claim to the city. She gives herself a shield, a sharp pointed spear, and a helmet for her head, while the aegis protects her breast. She shows an olive-tree with pale trunk, thick with fruit, born from the earth at a blow from her spear, the gods marvelling: and Victory crowns the work.
     
Then she adds four scenes of contest in the four corners, each with miniature figures, in their own clear colours, so that her rival might learn, from the examples quoted, what prize she might expect, for her outrageous daring. One corner shows Thracian Mount Rhodope and Mount Haemus, now icy peaks, once mortal beings who ascribed the names of the highest gods to themselves. A second corner shows the miserable fate of the queen of the Pygmies: how Juno, having overcome her in a contest, ordered her to become a crane and make war on her own people. Also she pictures Antigone, whom Queen Juno turned into a bird for having dared to compete with Jupiter's great consort: neither her father Laomedon, nor her city Ilium were of any use to her, but taking wing as a white stork she applauds herself with clattering beak. The only corner left shows Cinyras, bereaved: and he is seen weeping as he clasps the stone steps of the temple that were once his daughters' limbs. Minerva surrounded the outer edges with the olive wreaths of peace (this was the last part) and so ended her work with emblems of her own tree.
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